WELCOME TO ANNA BOROS ART. (Please Scroll down)
Treated Plaster. 30th September, 2003
Guitar is done in the Minimalist Style.
I also love Minimalism. Brancusi’s work was a simplification of the things around him,
with the strength of what was really mattering in its visual communication.
Here’s a wonderful quote by Brancusi, the Minimalist Sculptor: On form and essence
Quote:“What is real is not the external form, but the essence of things”. Unquote.
Mixed Media. 14th April, 2003
Making comparisons with the Drawn Line, then realising these approaches
into 3D sculptures using veneer tape, wood, and metal binding.
Practical approaches for this extending weave, can be used for blinds, and wall hanging sculptures.
Veneer Tape. 14th April, 2003
Along with the Fan, and the Runner being made with veneer tape, this cube was
made without any kind of joining or fastening system, or glues.
This is purely a fully closed in cube where there is no lid, nor opening. The ends were tucked in.
The concept is how to use the Drawn Line into a 3D object/ sculpture.
Practical use could be as a seat if inside is stuffed before closure. Otherwise, object d’art.
Treated and painted plaster with embellishments. 2003. W.S.U
This work is about the mechanics of life and how we must go through these journeys, to learn and navigate it.
There is a push light in the middle of the light , and the two columns, one being black, and the other being white,
is representative of the balance of understanding needed to reach through and beyond the columns.
A very symbolic work about my son’s life and what is before, during, and after.
Ink on acid free thick printing paper. Circa 2003
This collograph was my first , and it was to get the feel of the new process.
Ink on acid-free thick paper. @2003.
To touch this print is very textured embossing.
The visual is of a dark maroon colour on a light cream coloured paper.
Treated Plaster. 2003
This work is about Ley lines and how, the most convenient route is taken with land formations.
These sculptured pieces, when matched together correctly, like jigsaw puzzle pieces, it forms a complete circle,
which is not only a fully formed formation, but also one that is easily transformed- just like our land masses formulate over time.
The easiest path is the one of least resistance.
Treated Plaster, metal. 2003
I was doing a series on Femininity at uni, and this sculpture is about the reverence of
the female force. The cup lip is sculpted in the form of a rose petal, and the cup itself is ornately carved.
The cup stands on a raised cake, where the two springs represent the ribbons of festivity.
These stand on a fancy, lace patterned ‘tray’,
presenting this work as it should be-
In praise of femininity.
Various treatments to plaster. These particular sculptures created 2002-2005
Like graveyard headstones, these plaster sculptures stand still in the face of time.