Girl With pretty Dress. Mixed media, Painting on glass. 1998
UNTITLED MIXED MEDIA
Mixed Media.1998
This was made along with a few other works at the same time. There is definitely the situation with
me, is that when I get inspired, I can do several artworks one after the other, after another. It’s like I’m thirsting to drive a point/s
home and to then passionately create those ideas into artworks. Perhaps its a sort of insanity…
NIGHT LIGHT SERIES: ABSTRACT 1998
Mixed Media/ Abstract/ Sculpture. 1998
This work is made of poster paints, acrylic paint, beads,
and other embellishments, reflective paper, and glass.
I wanted a large colourful abstract for the lounge room, and came up with this.
No really firm concept, nor philosophy associated with it. Just pretty, and colourful.
TULIPS
Mixed Media. Paints, glues, building cement, fillers, watercolour on canvas. 1998
In this image, one of the works has been placed on top of the other.
This was more of an experimentation of what mediums can be worked together.
Art is constantly about experimentation, whether it be grand, or minute in the scheme of things.
REMEMBERING CHARLES AND IRENE
Mixed media. Painting on glass.1998.
acrylic on glass. leather and diamante embellishments, wooden frame. glues, silver paint.
The letter tells of a wish by a love that asks if they can come back.
ROBERT
Acrylic on glass. 1998
This work was a Trance Art project of which I named ‘Robert’.
The painting is on the underside of the glass.
SONYA
Sculpture made with mixed media. 1997
This work was made with mirror, plaster, glass, paper and paint.
WALL MOSAICS AND STAINED GLASS WINDOW DECORATION.
Smashed mirror mural mosaics and decorated stained glass window. Circa 1998.
When I did the large lounge room, a kitchen, a dining room, a foyer entrance, and a long hallway with mosaics like this,
it can take quite some time to complete- yes a couple of years almost. The concept for this was about bringing space into enclosed spaces. To bring light into darkness.
To invite colour through friends wearing colour and being colourful in nature into the mundane of an off white installation base, It was also about Reflection, and being able to have the stimulation around me through this work, to be able to reflect within. Here then, is my sanctity of sacred space-: The Light, The Colour , The Space To Just Be, and the reflection of Past, Present, and Future.
UNTITLED TEXTILE WORK.
Untitled Textile Work. Assorted fabrics and gold thread, utilised in embroidery, collage on fabric. 1992.
RESTAURANT SCENE
Textile. Fabric and gold string. 1992
When this textile fabric art work is viewed at a distance,
the scene ‘pops’ people sitting at tables in a busy restaurant.